Hélène Binet: Dialoghi,Works from 1988 to 2018


Hélène Binet: Dialoghi, works from 1988 to 2018

Dates:April 19th  , 2019 –  July 21st, 2019

Location:3 Floor, PSA

Admission: Free

Support:Pro Helvetia Shanghai, Swiss Arts Council

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//  About Exhibition  //

From April 19 to July 21, 2019, Shanghai’s Power Station of Art will present Hélène Binet: Dialoghi, works from 1988 to 2018, the French-Swiss photographer’s first solo institutional exhibition in China. The exhibition will offer a comprehensive overview of Binet’s accomplishment in more than 100 works of analogue photography, including some of the most iconic photos taken throughout her 30-year professional career and her newly commissioned series featuring the walls of Chinese Suzhou Gardens. This exhibition will also be accompanied by the first monograph on Binet to be published in Chinese. Marking a new direction of PSA’s “Architecture & City” exhibition and research program, Dialoghi (Dialogue) will open up a new standpoint for viewers to approach architecture through the art of light and shadow.

Hélène Binet,Lingering Garden, Suzhou Gardens, China,2018,digital C-Type print.  Courtesy of the artist & Ammann Gallery.

Born in Sorengo of Switzerland in 1959, Hélène Binet grew up in Rome, Italy. There, she studied photography at the Istituto Europeo di Design, and worked briefly at the Grand Théâtre de Genève after graduation. After moving to London in the mid-1980s with her husband, architect Raoul Bunschoten who was teaching at the Architectural Association, Binet gradually turned her attention to architectural photography, and soon acquainted herself with a list of emerging architects in the British capital, including Zaha Hadid. Encouraged and recommended by Alvin Boyarsky, then Chairman of the Architectural Association, and other fellows, she headed to Berlin for her first project and rose to become one of today’s foremost architectural photographers.

Hélène Binet,Le Corbusier, Eglise Saint-Pierre, Firminy, France,2007,hand printed b/w silver gelatin. Courtesy of the artist & Ammann Gallery.

Most of Binet’s photographic works focus on European modern and postmodern architecture, while recently starting to develop an interest in natural landscapes and classic Asian architecture. She remains one of the rare enthusiastic devotees to analogue photography. When describing Binet’s works, renowned Polish-American architect Daniel Libeskind once noted: “Every time Hélène Binet takes a photograph, she exposes architecture’s achievements, strength, pathos, and fragility.” Back in 1987 when first photographing John Hejduk’s Housing Project in Berlin, Binet almost immediately fostered an individual style that continues to define her works even today – cool, sharply composed, and highly simulative to viewers’ imagination towards space. She once said: “As photographers, our first gesture is to exclude.” Her photographs rarely present a neutral panoramic perspective on the built environment, but rather an expressive portrait that takes advantage of non-typical compositions to focus on skeletons of architecture and bring out general architectural concepts with structural and textural nuances, evocative of the abstract photographic style made famous by names including Lucien Hervé, René Burri and Judith Turner.

Hélène Binet,John Hejduk, Housing, Berlin, Germany,1988,hand printed b/w silver gelatin. Courtesy of the artist.

Hélène Binet,John Hejduk, The House of the Suicide and the House of the Mother of the Suicide, Atlanta, United States, 1990,hand printed b/w silver gelatin. Courtesy of the artist.

The exhibition will look back at Binet’s 30-year career by showcasing her depictions of iconic works by acclaimed architects including John Hejduk, Daniel Libeskind, Sigurd Lewerentz, Dimitris Pikionis, Ludwig Leo, Le Corbusier, Peter Zumthor and Zaha Hadid. By emphasizing the echo between architect and architect or between architect and landscape, Binet divides her works from different series into groups of two or three to form “dialogues” featuring varying themes. For example, when documenting the Jantar Mantar Observatory in Jaipur of India, and the Convent of Sainte-Marie de La Tourette designed by Le Corbusier, she focused the lens on the sharp contrast between light and shadow formed on building façades to cross-examine the line of difference between divinity and scientific limits; whereas at the other end of the showroom, the ever-extending curves of Zaha Hadid’s signature works highlighted by Binet deliver echoing effects against the boundless Atacama Desert and Swiss mountain views, where lurks a primitive force that promotes the formation of surface structures.

Hélène Binet,Zaha Hadid, Glasgow Riverside Museum of Transport, United Kingdom,2010,digital b/w silver gelatin,102×80cm. Courtesy of the artist & Ammann Gallery.

Hélène Binet,Atacama Desert, Chile,2013,digital b/w silver gelatin. Courtesy of the artist & Ammann Gallery.

Hélène Binet,Paysages en Poésie, Alpes of Vaud, Switzerland,2004,digital b/w silver gelatin. Courtesy of the artist & Ammann Gallery.


//  About Artist  //

Hélène Binet Portrait , Photo by João Coles

Hélène Binet was born in 1959 in Sorengo and is of both French and Swiss back-ground. She currently lives in London with her husband Raoul Bunschoten. She studied photography at the Instituto Europeo di Design in Rome, where she grew up, and soon developed an interest in architectural photography. Over a period of thirty years Hélène Binet has photographed both contemporary and historical architecture. Her body of work includes photos of architects such as: Raoul Bunschoten, Caruso St John, Zaha Hadid, Daniel Libeskind, Studio Mumbai, Peter Salter, Peter Zumthor and many others. While following the work of contemporary architects – often from construction through completion – Hélène Binet has also photographed the works of past architects as Alvar Aalto, Geoffrey Bawa, Le Corbusier, Sverre Fehn, Nicholas Hawksmoor, John Hejduk, Sigurd Lewerentz, Andrea Palladio Dimitris Pikionis, Sergio Musmeci and Hans Van der Laan and recently she has been working on traditional Asian architecture. More recently, Hélène Binet has started to direct her attention to landscape photography, wherein she transposes key concerns of her architectural photography. Hélène Binet’s work has been published in a wide range of books, and is shown in both national and international exhibitions. The first monograph entirely dedicated to her work, Composing Space, was published by PHAIDON (London/New York) in 2012. Binet has received several honors, including the Ada Louise Huxtable Prize in 2019 and the Julius Shulman Institute Excellence in Photography Award in 2015.

//  PSA “Architecture & City” Exhibitions and Researches  //

In 2013, PSA initiated its thematic program – “Architecture & City” Exhibitions and Researches, providing themed exhibitions, holding seminars, and supporting publishing plans every year. Through architecture as a comprehensive social device, PSA is hoping to tell stories between cities and their inhabitants, as well as explore the intricate relations between individual, space and power mechanism. Until now, the museum has held exhibitions in this field including Piece by Piece: Renzo Piano Building Workshop (2015), Mobile Architecture: Yona Friedman (2015), Bernard Tschumi – Architecture: Concept & Notation (2016), Ordinary Metropolis – Shanghai: A Model of Urbanism (2016), Balkrishna Doshi: Celebrating Habitat – The Real, the Virtual & the Imaginary (2017), Superstudio 50 (2017), and The Rise of Modernity: The First Generation of Chinese Architects from the University of Pennsylvania (2018).